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Iron wall adornment, 'Kokopelli Peace' (medium)

Item # 37835
Currently out of stock

Swaying and dancing to a hypnotic tune, Kokopelli abandons himself to the rhythms of his music. His long hair blows in the breeze as he pipes a plaintive melody on his flute. J. Blas sculpts the legendary deity in elaborate detail. He first cuts metal sheets and hammers them into three-dimensional shape. Welded together, they are adorned with airy cut-out work and finished with lead-free paint.

Kokopelli dates back to pre-historic times; regarded as a deity, he is usually depicted with a humped back, playing a flute. Ancient legends suggest Kokopelli was a Toltec trader who traveled from central Mexico to the United States' southwestern deserts and mountains, where he is featured in the form of rock art dating thousands of years. Kokopelli played his flute to announce his arrival and according to Pueblo legends, he carried seeds, babies and blankets in his hump which he offered to the maidens he seduced.

To the Hopi, Kokopelli plays his flute to draw heat from the Earth and thus make the seeds grow. His name derives from Koko ("wood") and pilau ("hump"). Kokopelli is believed to be present whenever life comes forth from seed -- plant or animal.

Made in Mexico.

  • Clean with a dry cloth
  • 11.8" W x 18.9" H
  • Weight: 1.0 lb
  • Iron
  • Offered in partnership with NOVICA, in association with National Geographic.

Ships directly from our partner office in Mexico. Please allow 1 to 3 weeks for delivery. This item is not available for express shipping and cannot be delivered to PO Boxes or APO/FPO.

This item ships from a third party and may be excluded from certain promotions. Please see the Current Promotions page for details.

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Artisan: J. Blas

Artisan J. Blas

"Hello. My name is J. Blas. From the time I was small I have enjoyed arts and crafts. I loved to dig and prepare clay to make my own pieces and from that time on I began to experiment with ceramics. When I was 17, I started my own ceramic workshop. Due to my lack of experience, I had to shut it down and went to work in a ceramics museum.

"Over time, I learned more and more and became aware of the critical stages that clay has, and where it is good to depend on other people to work it perfectly. And so I changed directions and began to work in wrought iron and blown glass. When things began to get better, I started to experiment with sheets of iron of different weights to give my works more movement.

"Currently I again have my own workshop where we craft a variety of products, mostly decorative. We cut the metal sheets and hammer them into shape. Then we weld them and add the details. After that, they are treated to retard rust before we paint them with a special, lead-free paint.

"We are the first workshop in the area to utilize a fine blowtorch as a work tool and to give more originality to our products. Every piece created at my workshop goes hand in hand with originality, design and quality. We are always developing new designs and products."

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